"Armin I killed half your friends, let's fuck" and "Hey, after ruining each other's lives, let's be friends to take Eren down (Even though it actually benefits all eldians, and what's he's doing is the only way to ensure Paradis is not utterly destroyed by the remaining 20% of the world, that is by far greater in numbers that the million and something habitants that we actually are in Paradis, not to mention they probably have stuff like bombs, since that 20% means that probably entire nations are A-okay and unwounded for the most part, and have even more reason to retaliate as soon as they can, because there's literally not a single reason not to wipe us out, and we don't even have the titans anymore)" In short, it is great action series, but the plot is so so. Isayama-san has all the right to pick the end of his story, and I won't criticize him for that, since, unlike for example TG:re, AoT's end is a wholesome. Such can be felt throughout where one character would make dubious decision, and then another, and then another one.Įven so, the author at least managed to keep it tense until the end and cover for those dissatisfaction. One development after another feels like something thought on spot rather than a fruit of a long planned plot coming out together in the end. Still the way the author choose to unravel the Titan mystery and the way to solve the innate problem of the threat Titans bring to the world, was rather poor.
#Shingeki no kyojin download manga series#
Still throughout the series, humans fought and found a way to go toe to toe with the monsters and it has been where the strength of the series lies. Although Titan is basically human, it is in the end basically a monster with their sheer size and superiority over humans.
Shingeki no Kyojin or ‘Attack on Titan/The Attacking Titan’ ( Isayama 2009–ongoing) is a manga that features the fight of humankind against the ‘Titans’, human-looking creatures that vary in height and size, display little or no intelligence and eat humans for no apparent reason.AoT might be one of the most intriguing series of its kind. The last survivors of the Titans’ onslaught found safety in three cities surrounded by concentric walls: wall Maria (outermost), wall Rose and wall Sina (innermost). Each wall also marks social and economic distinctions. The city inside wall Sina is home to the nobles and the royal family. The outer cities and districts host peasants, workers, and merchants. The story focuses on step-siblings Eren Yaeger and Mikasa Ackermann, and their friend Armin Arlert, who lose their families in a Titans attack. They seek revenge by enrolling in the survey corps, a military force with the mission of reclaiming Titan-infested territories, but become involved in a complex web of conspiracies involving the survival of humankind. Shingeki no Kyojin blends themes from shōnen and seinen meta-genres ( Bryce & Davis 2010 Shodt 1996), but also from post-apocalyptic fiction, horror, and other genres. It also presents a peculiar approach to narrative structure, mostly focused on the characters’ perspectives ( Niederhoff 2015 Schmid 2010: 30–34).
Therefore, readers mostly discover the truth about its world when the characters win battle(s) against the Titans and their masters.
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